movie begins with the Cobb Chamber (Leonardo DiCaprio) washed up on the beach. He is injured and makes a delirium. He opens his eyes and one sees two children played on the beach. Some people with guns (they appear to be keepers) take him to the old man tells a man that Cobb was alone and carried only a pistol and a small brass top. The old man says he recognizes Cobb on top, saying, "You remind me of someone ... man I met at half-remembered dream. He was possessed by some radical concepts."
Scene shifts to Cobb, Arthur (Joseph Gordon-Levitt) and Saito (Ken Watanabe), a quiet dinner in the same room as the previous scene. Cobb Saito was proposed that he should hire him and Arthur (his business partner) to protect himself from the "pull", which is the process of stealing secrets from a person during sleep, when his or her mind is most vulnerable. Cobb said that Saito was a draw the most skilled and Saito can train the mind to defend himself against the other machine, but Saito will need to Cobb in his mind completely. He mentioned that the extraction is often steal information from the subconscious hiding places, as it is safe, and Saito looks to secure the room. Saito seems uncertain and a bit suspicious and leaves, saying he will consider the proposal. Cobb and Arthur leave the room, and Arthur says Saito suspects something is wrong - that is, instead of trying to protect the machine from Saito, Cobb and Arthur were actually there to perform the extraction on it.
Arthur then said a woman in the crowd and asks Cobb, "What is she doing here?" Cobb says Arthur continue to work, and then approach a woman, which he called Mal. It stands on the balcony and asks Cobb, "If I jump, I would survive?" He replied: "clean dive, maybe, " and asks what she's doing there, to which she replied: "I thought it might be missing me." Cobb says he is not missing, but can not trust her anymore.
In the next scene, Cobb and Mal (Marion Cotillard) alone in the room. She asks him: "Did I miss the children?" and he replied, with a view of grief, "I can not imagine." Cobb then Mal seems to sit in a chair. He tied a rope to the legs of chairs and climbing through the window, down the side of the building and back into the room where he, Arthur, and Saito was saying earlier. He opens the safe, take the yellow envelope, folds it and puts it in his pocket. He was about to replace him with a fake envelope, but only Mal Saito and enter the room with weapons. He slides his gun across the table toward Mal and Saito, Saito, and orders him to put down the envelope as well. Cobb asked if Mal Saito him the truth or if he knew all along, and Saito said, "If you were there to steal from me, or that we actually slept?" scene cuts to Cobb, Arthur, and Saito sleeping in another room, all hooked to a machine to sleep in a briefcase, a fourth man was monitoring them. Outside the house they were sleeping in, mobs and riots are getting closer.
Back to sleep, Mal brings Arthur and holding a gun to his head. Cobb said she has used it threatening because they dream. Mal replied that while killing someone in a dream just wake them, the pain in mind and is experienced as real, even in his sleep. She recorded Arthur in the leg, and he screams in pain. Cobb dives across the table for a gun, shoot Arthur in the head, and makes a run for it. Arthur wakes up back in the house. In the dream, Saito opened the envelope and furious to find blank pages. He yells at his guards to capture Cobb, while having fun Mal watches. All hell breaks loose, with fights and gunshots and crumbling buildings. As the dream collapses around him, Cobb is in another room reading the papers in a real envelope, which are stamped "confidential".
Return to the dream house, Arthur said monitor, Nash (Lukas Haas) to wake up Cobb. Nash Cobb immersed in a tub full of water. Water pouring through the walls in his sleep in sync with the bathwater in the real world, and Cobb and Saito both awake. Saito asked to extract the team found this lonely apartment of his, who was apparently "love nest", he shares with a married woman. Cobb implies a wife and Saito said: "She never would." They are fighting for a few moments, and Cobb said Saito did not put all your secrets safe - there was one important piece of paper left - and he says it needs the people who hired him. Cobb realizes that Saito knew what they were up all together and asked why he allowed them in your mind at all. Saito replied that was an audition for another job, and that Arthur and failed. Cobb protests, saying that he and Arthur successfully extracted every bit of information contained in Saito's for sure, and Saito said: "But your deception was obvious."
Cobb then said that his boss will not accept failure and trying to force Saito disclose the required information by throwing it Facedown on the carpet and threatening to shoot him. Saito laughs while beating a carpet and understands how it feels different from the one in his real home. They are still dreaming - dream within a dream. Saito was impressed, but confused. He thinks he should be able to control the dream, but Cobb discovers that Saito is not a dream - it is Nash, the dream of the architect. As the mob riots outside finally break into the house, all four of them awake on the train, hooked up to sleep in the same machine that was operated in a common dream. Cobb, Arthur, and Nash wake up first, and Arthur chastises Nash for getting the carpet in the wrong, because his job as an architect to design a dream. They detach from the dream machine, pack up the briefcase, and leave the train. Saito wakes up with just a teenage child in his section, the kid was a follow-up group who were asleep.
In the next scene, Cobb was in his apartment. On spinning brass top and put a gun to his head. When the top wobbles and falls, he puts the gun down, looking shaken but relieved. Then the phone rings. It was his two children, who are in the U.S. with their grandmother. They ask when you come home, and he says he does not know, they were also asked whether their mother was with him, and he says that it is unfortunately not. It was found that Cobb was a fugitive from U.S. authorities for unspecified reasons, and that he can not return to their children about it.
Cobb and Arthur decides to lie low for a while, thinking their employer, COBOL, Rijeka, will not be pleased about the botched job. Cobb plans to go to Buenos Aires and Arthur back in the U.S. After hearing that, Cobb says with a touch of bitterness, "I greet you. " But before they leave, Saito catches up with them with their people and offers a suggestion. He wants to perform Cobb "establishment" - planting the idea in someone's mind, rather than removing one. Arthur immediately replies that it is impossible to start, because "the real inspiration is impossible to fake." Even if you plant the idea in people's minds, he says, the subject will know the idea is foreign. Cobb counters that it is possible, but very difficult. However, he does not want to be on a mission, and he argues that it can find its way to solve things with COBOL engineering. He and Arthur begin to leave, but Saito calls after Cobb, "Would not you like to go home to America? your children?" He promises that if Cobb succeeds, he will ensure that all charges against him were dropped. Cobb asks how complex the idea that Saito wants him to implant, and Saito tells him that is simple enough: His main job is to rival the old man who was very ill, and his son is about to take his father's company. Saito's son wants to break his father's empire. Cobb agrees out of desperation to see their children again.
How to assemble a team, Cobb goes to Paris to meet Mal's father, Miles (Michael Caine), who is a professor at the university. He asks Miles for a good architect. Miles resists at first, Cobb says he needs to "return to reality." But when Cobb said that this business is the only way for him to return to their children, Miles agrees to help. It introduces the Cobb Ariadne (Ellen Page), saying it would do a better architect than even Cobb said. Cobb asks Ariadne to audition for drawing mazes for him, then she is asleep (without telling her that doing so), and it shows in her sleep, you can actively design your environment. He explained that the architect creates a dream world, the team brings the subject in this world, and not subject it fills their subconscious. In this particular dream, Ariadne is the designer and the people around them are projections, or "shades, " Cobb's subconscious.
Ariadne asks what happens when you start changing physical environment, and folding experiments in the street itself. Cobb warns that it is too much change at the subconscious warning dreamer by nature and draws attention away from potentially hazardous projections. She looks around and sees the projection on the street staring at her. Then it creates a bridge from memory, which Cobb recognized as the place where he knew to spend time with Mal. He was worried that Ariadne says she should never create a place of memory because it can lead to unwanted parts of the subconscious - instead, it should always think of new places. Suddenly all screenings, including Mal, connect to them, and Mal stabbed Ariadne. Cobb and Ariadne awaken in workshop where were spavanje and Ariadne forsaken, saying not open your opinion that Cobb when his subconsciousness so tortures dangerous. Cobb kaže Arthur she will return - now that she experienced pure creation construction dream world reality longer be enough for her.
Cobb then travel to Mombasa, Kenya to find a forger / impersonator, Eames (Tom Hardy). He talked about the beginning of the Eames and Eames tells him that he once tried, failed, but agrees that it can be done. Cobb was soon noticed people who do COBOL for Engineering and Eames created a diversion to allow Cobb to escape. Cobb nearly caught, but Saito is coming to your rescue at the last moment (he says he has to oversee their investments), and he, Cobb and Eames driving safely. Further, Eames focus on Cobb Yusuf (Dileep Rao), chemist. Cobb explains that he wants to create a three layered dream - a dream within a dream within a dream - and Yusuf said that the only way to make it stable is to use a powerful sedative. He shows them their effectiveness by placing them into another room where a group of people are asleep. Yusuf reveals that these people have lost track of what is real, their dream became a reality. He also tests the sedative Cobb himself, a few minutes later, Cobb Be very shaken from the dream of Mal. He convicts Yusuf to join the team.
The team decided to create a three layered dream, with the idea that the crew on the third level. The aim is to Robert Fischer, Jr. (Cillian Murphy), the company billions of dollars oil heir. Fischer's father dies and he is prepared to take control of his father's vast empire. His godfather was Peter Browning (Tom Berenger), a key part of the empire. Saito Cobb wants to plant the idea of Fischer's head split his father's company. Because he wants to confirm that the team finishes the job, Saito will follow them in dreams.
As he prepares for the job, Ariadne discovers that Mal is a Cobb-deceased wife, and sees little of his past when he sneaks into a dream I have. Cobb was bothering his memories of Mal and his children. In his dreams he sees his children behind, but they always run away before he can call them and see their faces. Ariadne is understood that the reason Cobb can not design a dream I was more because his subconscious will bring Mal as a spoiler. Ariadne tells him that he must warn the other members of the team of risk they are taking by entering the dreams of the Cobb. However, Cobb says that if Ariadne not tell him the details of sleep architecture, Mal will not know either. He also admits that the reason why he can not go back to the U.S. is that the authorities think he killed Mal. Ariadne falls silent, stunned by the news, and Cobb, thanks to her "do not ask if I did." Later, Arthur talks about Ariadne totems, which are structures used to machine to say whether awake or dreaming. Cobb's is the top brass, and if he is dreaming, it never stops spinning. Arthur is loaded die, and Ariadne carves custom chess piece.
the team gathers to discuss strategy. Yusuf explained that as they go deeper into sleep, their minds will work faster and the time will seem to slow down. With sedation, 10 hours in the real world will give them one weeks on the first level of sleep, six months on the second level, and 10 years on the third level. Their wake-up mechanism is called a blow: a hitch when you get a sudden drop or impact the surface in a dream. He said a sedative leaves intact inner ear function as dreamers will be able to feel the blow.
In the meantime, Eames notes Fischer, his father, and Browning. He discussed with Fischer was a poor relationship with his father and suggests the emotional basis on which to convince Fischer to buy the idea planted. Cobb says that positive emotions are stronger than the negative, so they should Fischer have a positive feeling about breaking up with his fathers company. They decide to try to fix Fischer relationship with his father and make a Browning - who wants the company to continue - out to be the villain. They will do a convincing Fischer that his father loved him and wanted him to do something for themselves and not follow the footsteps of their fathers.
When Fischer Sr. dies, the crew decided to carry out the plan on a 10-hour Boeing 747 flight from Sydney to Los Angeles, the ship that Fischer Jr. wearing his father's coffin. Saito bought the airline and all seats in first class cabin, so the only passengers in this part of the team, Fischer Jr., and the stewardess (that is to plan and monitor the team as they sleep). Eames steals Fischer a passport and hands it to Cobb, who returns Fischer and uses it as a conversation opener. Cobb makes small talk with Fischer, then slips a powerful sedative in his drink. team quickly hook you and Fischer to the machine to sleep and go to sleep.
The first level is the dream of Yusuf. It was raining hard. Arthur, Saito, and Eames Fischer kidnap and take him to the warehouse, and Cobb and Ariadne follow in another car. On the way, Cobb was unconscious brings a freight train right down the middle of the road and the attackers ambushed the two cars. Cobb tries to explain that Fischer might have been trained against the extraction, such as his defense. Team manages the warehouse, but Saito was shot in the chest. When Eames try to kill it to him from his misery, Cobb stops him, saying they all have a sedative will not allow them to wake up until it wears off. If they die in their sleep, they will go into limbo, very deep sleep level, which could mean that the mind is stuck there forever. By the time the person wakes up in limbo, their minds could be encoded and their sense of reality lost. Tim is frightened by this unforeseen risks, but Cobb tells them the only way to get out is by continuing with a mission - if they stay where they are, the projections will kill them before the sedative wears off.
When Ariadne Cobb faced about it is the real cause of a freight train, he admits that he can not seem to Mal from his dreams. He says that Ariadne Mal died: two of them are experimenting with dreams in my dreams, and they got stuck in limbo. They spent 50 years building a world unto itself, and when they finally returned to reality, Mal, and still believe it's a dream that is dying is the only way to wake up. On their anniversary, Mal Cobb called for a hotel room, where she found her sitting on the window ledge, about to jump. She told him she sent a letter to her lawyer says that Cobb had threatened her life, in an attempt to force Cobb jump with her. Cobb was dismissed and she jumped to her death. With the authorities chasing him, ready to close it for Mal's murder, Cobb left her children and fled the country.
scene is reduced back to sleep, where Eames represented Browning and scream as if tortured. Arthur and Cobb, wearing masks, say Fischer is safe in his office and demand a combination. Fischer says he does not know the combination, but when you hear Browning (really Eames) scream, he asked to speak to him. Browning / Eames said Fischer who certainly has his fathers last will, which would dissolve the empire if Fischer has decided to use it. Fischer asks why he would want to dissolve the empire and lost his inheritance, and Browning responded that Fischer's father loved him and wanted him to build something of their own. Fischer says that his father did not love, says Browning / Eames that his last word he was disappointed. Fischer defense begin closing in on the stock. Tim decided to leave the van and enter another level of sleep. Yusuf was driving a van for a certain amount of time, and then take it to the bridge. The fall of the bridge will be the kick to wake the team.
Another dream is Arthur's. This is a restaurant in the hotel, and Eames - who is impersonating a young woman this time - review Fischer at the bar. Eames leaves when access to Cobb, and Cobb, Fischer says his security officer. He said Fischer someone tries to access his mind and that he, Cobb, was there to protect it. He is convinced that Fischer dreams because he can not remember how he got the bar, and time and gravity to keep moving. (Meanwhile, back at the first dream level, Fischer's defenses are chasing the van;. Yusuf was to ride with thethe rest of of the team fell asleep in the backseat ),Fischer 'sown mind then projects Browning as a man who stands behind his abduction ,his projection Browning tells him that the kingdom is all that has ever worked, and it can not let it destroy Fischer referring to safety. Cobb (who keeps seeing their children to sleep and to stop them next) says Fischer was supposed to enter Browning dream and extract its secrets, and so - with Fischer now unwittingly aiding in its beginning - the team gathers in a hotel room and enters the third dream level. Arthur left behind on the second level deter Fischer projections and to administer blow when it's time for the team to wake up.
The third level (Eames is a dream), is located in the snowy mountains, where it is safe in heavily guarded fortress. Cobb says Fischer break into the fort and open the safe, where to find his father's will. Eames and the rest of the team trying to draw the guards away.
Dream Level 1: Yusuf drives a van off a bridge. a team that misses the kick, but others will come out when the water hits. 10 seconds left.
Dream Level 2: The van in the first instance in free-fall, there is zero gravity at the hotel. Arthur floating sleep team to do together, preparing to improvise a kick. 3 minutes left.
Dream Level 3: Fischer is struggling to reach safe. Saito was injured moving a last minute blast to fend off the guards, and then dies. 60 minutes left.
After a long struggle and shootings in the snowy area around the fort, Fischer finally reaches safe. But just then Mal appears as a projection of Cobb's subconscious. Cobb and Ariadne sees Mal Cobb but she hesitates to shoot, because he can not convince myself that it was not true. Mal shoots Fischer. Cobb then shot low, but it was too late. All together, about Fischer and Cobb says that more and more - they have failed, because the Fischer is dead, there is no way to implant the idea in his mind. But Ariadne says it is still way - they must follow Fischer in limbo, implant the idea out there, and then improvise a kick to the uncertainty. They know Fischer must be in limbo Cobb is - the world is built with Mal - Mal as a projection of his mind.
Eames remains behind as a monitor on the third level, and Cobb and Ariadne enter the fourth grade, limbo. It is a world of Cobb and Mal built and inhabited for 50 years subjective. They enter a house built in Cobb and Mal and Mal found sitting in the kitchen. Mal Cobb accuses her leave, saying he promised that he would grow old together. She tells him this is a reality and it should stay here with her children. Cobb tells Mal that she is not real and that he must get out of the limbo to get back into your children's rights, who was left alone murder.
Mal tries to convince Cobb stay so that it is a question of what is reality. She says: "You keep telling yourself what you know. But what do you believe? What do you feel?" He replied: "guilt" and explains that Ariadne truth behind the death of Mal. top brass was originally Mal's, she was locked away in safe deposit box. When you are stuck in limbo along, Mal believed that reality. How to convince otherwise, Cobb inception running on it - he broke into the safe, right on top of spinning there, and planted the idea in her mind that this world (limb) was not true. Mal finally agreed to return to reality. She and Cobb put on the railroad, and when they died, they woke up back in his home after decades in limbo. But the idea Cobb crew, she was not the real world, stayed in her mind and come to her possession. She killed herself in real life, thinking it was still a dream and that death was the only way out. This is how Cobb knew the start was possible - he has already done it on his wife.
Now, Cobb said his projection of Mal that she is not real and that he must return to the real world, where their children are. He tells her that although she does not remember, they grow old together while they were in limbo. Now let her go. Cobb said Ariadne find Fischer push him away as a makeshift balcony kick. Cobb has to stay to find Saito, who is somewhere in limbo, after the death of a dream in the third level. Ariadne Fischer pushed off and then jump herself, Cobb warning not to get lost with Mal.
Dream Level 3: Eames used a defibrillator to revive Fischer, who wakes up and goes to the grave inside the fort. He finds his father lies dying in a hospital bed. His father whispers, "disappointed," said Fischer, and he knows he is disappointed that Fischer could not be like him - but his father corrects him, saying he was disappointed that Fischer even tried to be like him. And he wants to be his own man. Fischer opens the safenear the bed ,and taken back to his father ,who had just died . He starts to cry. Outside the vault, Ariadne wakes up in limbo.
Dream Level 2: Arthur has pulled all of the lift and used explosives to send it into free-fall, provided that the next shot.
Dream Level 1: van hits the water, provided the final blow. Everyone wakes up, but Cobb, and swim to the surface. Ariadne Cobb explains that he stayed behind to find Saito. Arthur thinks that will be lost there, but Ariadne insists he will be fine. On the coast, Fischer says Browning (Eames) that will break his fathers company.
Back in limbo, there is the repeated opening scene, Cobb washing ashore and taken to an old man. It was Saito, and although he was only there for a few hours in real time, as many years in limbo. Cobb shows his top and said that Saito is there to remind the "secret it once knew, but chose to forget - that this world is not real. He tells Saito to come back to reality, so they can be young again, and convinces him to fulfill his request. Saito takes a gun in his hand.
Then everyone wakes up on a plane, like the country in Los Angeles. No one speaks in the first place. Cobb Saito gives a long, sharp look, and after a moments hesitation, Saito takes the phone and makes a call to the authorities with Cobb back. Everyone disembarks. Cobb goes through security and customs without any problems. He sees the other team members to collect their luggage. Miles is there a welcome Cobb and takes it in her old house, where he sees his children playing in the yard.
Cobb runs on top to see if this is real or another dream, but only when the children turn and see him and run towards him, shouting: "Dad!" I do not want to see if the top is down, Cobb goes out to hug them. camera focuses on the top. It was still spinning, but wobbles slightly as it was a demolition
<] P] More get in your
